Review: watch films LARS & THE HANDS OF LIGHT - BABY, WE COULD DIE TOMORROW - Lydtapet - Danish music
Lars Vognstrup, him lyshænderne is a Popdreng. Not an ordinary one at that, yet one Popdreng the heart. I had no idea the first time I became bitter end closet with him.
Then called the band and the album Raunchy Confusion Bay. But maybe I should have suspected something strange because although Confusion Bay was a highly energetic playing electro thrash, it was the album's lyrics very little metallic and Lars' aggressive vocals were provided with the genre unusual nonchalance.
The album was indeed his swan song with Raunchy and metal music, and since he has moved within the pop universe. He does so also when the band name is Lars & The Hands of Light. Or, band is perhaps too much to say for Lars & The Hands of Light works with the captain as the only real name on the team sheet and flying change on the rest of the seats.
Together with drummer, watch films producer and songwriter Kristian Mondrup (Kala-OK) controls Lars on Baby, We Could Die Tomorrow listener through watch films just over half an hour's skewed pop music, which initially is not so different from the debut, The Looking Glass from 2010; nevertheless appear more substantial. And this without sacrificing the unrestrained approach to music. This is partly done by giving younger sister Line Vognstrup a more prominent role. The clothes Lars' half lazy voice getting a little female counterpart, and "How Much We Feel", she shows that her vocals also easily stand alone.
Just "How Much We Feel" is one of the numbers that are easiest to categorize the Baby We Could Die Tomorrow. Line Vognstrup watch films sings like a subdued Adele of music that blends the most modern British retro-soul sound with American surf-psych pop.
Otherwise pulls Lars & The Hands of Light merrily on the best of the last handful of decades of pop music, which results in a varied retro sound that is anchored by the fine vocal interplay watch films and Lars' watch films Los Angeles laidback guitar riffs.
On the album's first half shows Lars & The Hands of Light really is how versatile they embrace, without losing the thread. Just listen to how attention to detail in the bubbly summer anthem "Time to Glow", watch films the dreamy "Kiss You in the Doorway" with the beautiful string watch films themes, the lively rhythm section of "We Shine On Together" and the aforementioned "How Much We Feel" . The numbers sparkles of joy and imagination that the album's second half, to some extent replaced by thoughtfulness and fleeting melancholy. The master also, but the numbers are not quite as captivating as the first half.
I have a feeling that this album lends itself as well to vinyl, the A and B side naturally creates two separate departments. But Baby, We Could Die Tomorrow is an excellent album, both on CD and vinyl, showing how fun pop music can be when energy is channeled into the music and not costumes and other bling. watch films
Tags: Review, Baby We Could Die Tomorrow, crunchy frog, Jens Christensen, KALA-OK, Kristian Mondrup, lars & the hands of light, Lars Vognstrup, Line Vognstrup, Lydtapet, The Looking Glass
10 Most Read on Lydtapet Interview: Plök - SIMULTAN STIMULATING ARMS, HEAD, BEN AND skull Competition: WIN INFOLYMPICS WITH Plök Review: GO GO BERLIN - NEW GOLD Review: FRANKLIN ZOO - UNTAMED Review: VINCENT VAN GO GO - THE WOUND Review: PETER BELLI - FOREVER AND ALWAYS Review: HELHORSE - OH DEATH Review: Agnes Obel - AVENTINE Review: CRYSTAL SHIPSSS - DIRTY DANCER Review: SHAME CART - ASPHALT
2013 Lydtapet - Danish music | Powered by WordPress | WyntonMagazine theme by Michael Oeser that DER PRiNZ Log in | 57 queries. 1.702 seconds.
Lars Vognstrup, him lyshænderne is a Popdreng. Not an ordinary one at that, yet one Popdreng the heart. I had no idea the first time I became bitter end closet with him.
Then called the band and the album Raunchy Confusion Bay. But maybe I should have suspected something strange because although Confusion Bay was a highly energetic playing electro thrash, it was the album's lyrics very little metallic and Lars' aggressive vocals were provided with the genre unusual nonchalance.
The album was indeed his swan song with Raunchy and metal music, and since he has moved within the pop universe. He does so also when the band name is Lars & The Hands of Light. Or, band is perhaps too much to say for Lars & The Hands of Light works with the captain as the only real name on the team sheet and flying change on the rest of the seats.
Together with drummer, watch films producer and songwriter Kristian Mondrup (Kala-OK) controls Lars on Baby, We Could Die Tomorrow listener through watch films just over half an hour's skewed pop music, which initially is not so different from the debut, The Looking Glass from 2010; nevertheless appear more substantial. And this without sacrificing the unrestrained approach to music. This is partly done by giving younger sister Line Vognstrup a more prominent role. The clothes Lars' half lazy voice getting a little female counterpart, and "How Much We Feel", she shows that her vocals also easily stand alone.
Just "How Much We Feel" is one of the numbers that are easiest to categorize the Baby We Could Die Tomorrow. Line Vognstrup watch films sings like a subdued Adele of music that blends the most modern British retro-soul sound with American surf-psych pop.
Otherwise pulls Lars & The Hands of Light merrily on the best of the last handful of decades of pop music, which results in a varied retro sound that is anchored by the fine vocal interplay watch films and Lars' watch films Los Angeles laidback guitar riffs.
On the album's first half shows Lars & The Hands of Light really is how versatile they embrace, without losing the thread. Just listen to how attention to detail in the bubbly summer anthem "Time to Glow", watch films the dreamy "Kiss You in the Doorway" with the beautiful string watch films themes, the lively rhythm section of "We Shine On Together" and the aforementioned "How Much We Feel" . The numbers sparkles of joy and imagination that the album's second half, to some extent replaced by thoughtfulness and fleeting melancholy. The master also, but the numbers are not quite as captivating as the first half.
I have a feeling that this album lends itself as well to vinyl, the A and B side naturally creates two separate departments. But Baby, We Could Die Tomorrow is an excellent album, both on CD and vinyl, showing how fun pop music can be when energy is channeled into the music and not costumes and other bling. watch films
Tags: Review, Baby We Could Die Tomorrow, crunchy frog, Jens Christensen, KALA-OK, Kristian Mondrup, lars & the hands of light, Lars Vognstrup, Line Vognstrup, Lydtapet, The Looking Glass
10 Most Read on Lydtapet Interview: Plök - SIMULTAN STIMULATING ARMS, HEAD, BEN AND skull Competition: WIN INFOLYMPICS WITH Plök Review: GO GO BERLIN - NEW GOLD Review: FRANKLIN ZOO - UNTAMED Review: VINCENT VAN GO GO - THE WOUND Review: PETER BELLI - FOREVER AND ALWAYS Review: HELHORSE - OH DEATH Review: Agnes Obel - AVENTINE Review: CRYSTAL SHIPSSS - DIRTY DANCER Review: SHAME CART - ASPHALT
2013 Lydtapet - Danish music | Powered by WordPress | WyntonMagazine theme by Michael Oeser that DER PRiNZ Log in | 57 queries. 1.702 seconds.
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