It's easy to fall into cliché talk when it comes to the Danish trio. Three teenage girls between 16 and 19 years old, giving the finger to gender quotas and bias and delivers heavy, heavy stoner-rock a la 90s. Gender and age is completely irrelevant, because Baby In Vain took Atlas with a crash and clatter, bordershop dirty riffs and a drummer who gave the word 'whip' a whole new meaning.
There was screwed bordershop up the whole thing, while the two girls in front alternately screamed and sang. The vowels are not sentiment, but it is for God's sake not intended, and live they contributed only to the animal and aggressive attitude. The bass could be felt in the chest, while the guitar alternately supplied noisy slams and more melodic riffs. The melodic aspects were served in small but well-placed doses that were never explored to the fullest: It was supposed reluctant to be too nice!
Monotony were a few places by comer, but created bordershop instead an atmosphere of noisy hypnosis that repeatedly bordershop was interrupted by the jarring passages. Number 'The Thrill's rocking stonerrock a symbol of the former, where other tracks were playing more with the composition.
Baby In Vain pander not, and it was liberating to get the game ears full of three girls who immediately got rock heavy instruments with their mother's milk and on stage knows how to use their instruments as weapons.
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